Visual Art as a Purgative and Entrapping Process

Today I want to talk about how visual art serves as a method of purging energies as well as entrapping them. This is a ritualistic look at the making of art, specifically visual art. It's the magic artists do every day without realizing it.

I know the title of this sounds like something out of an Earth college term paper, but this is what my soul wanted to title this post. She's right, and it is probably the most accurate title we can make with language, so there we are.

The process of making art is so much more than just the act of creating an artwork. There is so much happening behind the scenes spiritually whenever a piece of art is created. It's not just the act of channeling your soul into the artwork that's happening, either. Sometimes, artwork can be used to ritualistically handle negative entities. It can also be used to holographically store information. I shall cover both aspects.

Purging and Trapping Entities and Energies

This sounds ominous, and it should. Visual art can be used to purge from you negative energies and entities. It can be used to trap their energy as well. Here's an example:

When I was a teenager, a lot of strange things were happening. Some of these things I've written about already. Here's something I haven't written about. One afternoon I was sitting at my desk, playing on my computer when I suddenly stopped and everything went out of focus. I saw in my mind a huge, black, amorphous shape walking through a sea of miserable looking people. This shape extended tentacles and cords to each person, and I knew their happiness and joy was being drained from them. It was like seeing a dementor from Harry Potter, but on steroids.

I saw this and grew terrified. And inspired. I felt I had to paint this creature. I had to paint it, and do it right then and there.

So, I pulled out a canvas, set up my acrylic paints, and painted this monstrosity. I painted it as closely to the image as I could as fast as I could. I felt if I didn't do it quickly enough, it would get away. It would escape. Every brushstroke had the intention behind it of trapping this thing on the canvas.

When I showed my mother later, she was terrified. When she mentioned how terrifying it was, I nodded emphatically. Yes, it was terrifying. Worse when I saw it in my mind, I told her. She asked me what possessed me to paint this thing. I said, "I had to trap it in the painting. I had to get it away from me." She gave me that worried look she always gave me whenever I did something...abnormal. Which was daily. I was always getting that "Do I need to have her committed?" look.

Now, to take it to new levels of odd, I hung it up on the wall. Across from my bed. So that when I woke up every morning, I'd see it. You might think, "Oh dear, Kyrie really did need to be committed." Well, no. Because when I looked at that painting half asleep, a lot of the time I was thinking this: "I have you right where I want you. You cannot get away. You cannot hurt anyone. I will destroy you." Almost like it was a wanted poster.

What the hell was young Kyrie doing? Well, it might be better to ask what I was doing in the astral at the time. This being was a powerful demon I was combating at the time. We had been coming across one another over and over again. I decided to trap it in a painting in the physical. I didn't trap all of it, just enough of it to basically pin it in place so it couldn't run away.

I bet you didn't know you could use art in that manner, did you? All the ancient rituals in Japan involving paper seals for containing demons are real. They really work. It really works that way. You can paint an entity with the intention of trapping it in place. It doesn't last long, maybe a few months, but it's useful to do especially if you have a team of light beings you're working with to coordinate in the thing's destruction.

Now, I really don't recommend doing such a thing unless you feel called to do it. And I DEFINITELY do not recommend you do this to another living person. That's an abuse of power and will land you in some trouble later on.

Art can also be used to purge energies from you in the same manner. It's all about intention. If you set the intention to paint your darker energies and release them from yourself, you can totally do that and it works. It's what I did throughout much of my younger years in this life to purge past life trauma from myself. There's a reason why all my art for a very long time was full of shadows, pain, and darkness. I was purging it. Releasing it.

I did it that way, because it was the most efficient way I had at the time. I wasn't fully aware of past lives yet, but I knew this worked wonders for getting stuff out of me.

Storing Information Holographically

This is the lighter side of trapping energies. You can use visual art to store positive emotions, information, and intentions like a holographic storage device. For example, paintings of light language often activate people who look at the paintings, because the information from the channeler is stored in the artwork. The channeler has telepathically loaded their art with a download that can be received at a later date.

A really common example of this is tarot cards. Tarot cards are nothing more than artwork that has been specifically rendered and created to store information from the higher selves of others, guides, and your own self. This makes them very interesting from a metaphysical standpoint. Instead of the activation being placed into the artwork at the outset, the artist is intending for the artwork to act as a storage container.

Sounds too magical? It's how it works. You can intend an artwork to be a storage container. A drawing of a woman holding a lion's mouth shut becomes a storage container for meanings. These meanings can technically be anything. They don't have to follow any rules at all. You see this with intuitive tarot readers who mostly discard the traditional meanings of the cards. Instead, the card itself becomes "broken open" to be a raw storage container. There's still some degree of direction for the information, though. The visual used is like a channel directing similar flows of vibrational energy.

Therefore this card that I have described is called "Strength". The word "Strength" is the channel. All concepts deriving from the word "Strength" and its vibration flow through. But "strength" can mean a large number of concepts. So, it's quite flexible.

This world is actually full of magic. I'm not even going to say it's "everyday magic", because what does that even mean?

Instead, I intend that it's outright magic. The stuff you're told to think is fantasy is not fantasy. It is real. Rituals have power. Tremendous power. All you have to do is believe in the intention you're using.


Oh, and if you were wondering what happened to that painting. I threw it out before going to college. We were doing a spring cleaning of the house, and that painting's job was done. It was safe to throw it away. So, I did.

I thank you for your time. Adiamas.

--Kyriel